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Chiyoko Szlavnics Biography www.chiyokoszlavnics.org Plainsound Home |
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SOLOS / ELECTRONICS top duos chamber ensemble chamber orchestra ...with text articles |
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The First Place: At the Entrance (2011-2)
solo percussion |
ca. 9' | ||
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Constellations I-III (2011)
piano and sinewaves |
10' | ||
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Interior Landscapes IIA (2010)
sinewaves |
45' | ||
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Interior Landscapes IIB (2010)
sinewaves |
45' | ||
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For Eva Hesse (with CN) (2007)
8 channel sound installation stereo performance possible with live solo flute |
14'08" | ||
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Structures in the Mind's Eye (2005-2006)
solo viola, sinewaves |
30' | ||
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Her Teeth Were White (1999)
solo percussion |
ca. 4' | ||
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DUOS
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A Steadfast Duo (2010 - in progress)
2 violins & sinewaves |
45' | ||
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This is only here. This is only now. (2010)
2 violins |
10-11' | ||
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3 Strands (2010)
2 violins (with live recording & playback) |
15' | ||
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Quick Figure (for Marc Sabat) (2010)
2 violins |
3' | ||
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HC 91 (2010)
2 violins |
5' | ||
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CHAMBER ENSEMBLE
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Inner Voicings I-III (2014)
chamber ensemble (13 instruments), sinewaves |
ca. 20' | ||
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Constellations IV I (2013-4)
chamber ensemble (6 instruments), sinewaves |
4' 30" | ||
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Openings I (2013-4)
chamber ensemble (6 instruments), sinewaves |
6' 15" | ||
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Second Partial Response (2011)
2 voices or instruments that can play glissandi, 1 sustaining instrument |
ca. 6'30" | ||
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Gardens of Contemplation (2008)
flute, violin, cello, piano, sinewaves |
18'43"-19' | ||
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Freehand Poitras (2008)
2 violins, cello |
9' | ||
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Wildflowers (2007)
chamber ensemble (11 instruments) |
16' | ||
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Reservoir (2006)
chamber ensemble (8 instruments), sine tones |
26'20" | ||
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CILIA TREMBLE (2006)
(a series of short pieces ) | |||
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For Eva Hesse
sinewaves |
15' | ||
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For Agnes Martin
2 violins, accordion |
ca. 3' | ||
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Triptych for AS
2 violins, accordion, sinewaves |
10' | ||
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For JT
2 violins, accordion |
3'10" | ||
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For TN
2 violins, accordion |
4' | ||
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For BN
sinewaves |
5' | ||
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For CN
sinewaves |
1'30" | ||
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Acclines
2 violins, accordion |
10' | ||
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Gradients of Detail (2005-6)
string quartet |
21'30" | ||
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The Spaces Between Them (2005)
chamber ensemble (7 instruments), sinewaves |
34'40" | ||
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(a)long lines; we'll draw our own lines (2004)
chamber ensemble (7 instruments) |
30' | ||
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Partial Response (2000)
mezzosoprano, 2 alto saxophone mouthpieces/necks |
13'30" | ||
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instil / in silence (1997)
clarinet, trumpet, piano, percussion, violin, contrabass |
1'30" | ||
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Papyrus Bending (1994)
saxophone quartet |
9'50" | ||
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Mercator's Projection (1994)
violin, clarinet (d. bass cl.), trumpet, percussion |
8' | ||
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CHAMBER ORCHESTRA/ORCHESTRA
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Heliotrope (2007)
chamber orchestra, sinewaves |
11'16" | ||
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Wind in the Ceiling (2004-05)
chamber orchestra |
5' | ||
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...WITH TEXT
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Narrow Road: Travelling Songs (2000)
mezzosoprano, viola, piano (d. melodica), percussion (d. bass melodica) poems by Gerry Shikatani |
12' | ||
| 1. buildings/stores | |||
| 2. the street | |||
| 3. green growth | |||
| 4. in air | 3'24" | ||
| 5. green moss | |||
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Un Coup de Dès (1998)
male speaking voice, chamber ensemble, with 4 channel playback text by Stephane Mallarmé |
< | ||
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Expansion (1998)
male speaking voice, flute (& sop sax), piano text by Christophe Marchand-Kiss |
10' | ||
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ARTICLES
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Verknüpfung der Vergangenheit mit der Zukunft MusikTexte 112, pp. 63-65, February 2007. Cologne. Translation into German of "Reflections on James Tenney" by Gisela Gronemeyer. | |||
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Reflections on James Tenney Musicworks #97, pp.17-19, Spring 2007. Toronto, Canada. Article describing Tenney as an influential composer for future generations. | |||
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Opening Ears: The Intimacy of the Detail of Sound Filigrane: Nouvelles Sensibilités, No. 4, pp. 37-57, Éditions Delatour France, Paris. Article describing own composition process, the use of drawings as the basis for compositions; Just Intonation ratios; and the influence of James Tenney, including his notion of a "Lattice of Harmony". | |||
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Redefining an Instrument an interview with Robin Hayward, Musicworks #89, pp. 30-39, Summer 2004. Toronto. Hayward discusses his approach to the tuba, using it in innovative ways to produce noise improvisations and compositions. |
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City Sites as Performance Settings Musicworks #69, pp. 22-27, December 1997. Toronto. Article describing the site-specific performance series, "Art in Open Spaces", which the author co-curated with choreographer Bill James in Toronto, Canada. |
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top
solos / electronics
duos
chamber ensemble chamber orchestra
...with text articles
Plainsound home www.chiyokoszlavnics.org PLAINSOUND MUSIC EDITION 2007 |